![Soft Eyes | Henry Wessel, Austin Leong, Adrian Martinez | Deadbeat Club 2024 [SIGNED] Masahito Akage What else may have happened](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN9640cover.jpg?v=1737644423)
![Soft Eyes | Henry Wessel, Austin Leong, Adrian Martinez | Deadbeat Club 2024 [SIGNED] Masahito Akage What else may have happened](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN9640_13bb7bb3-a9ae-48a0-b4ad-869eacd1adc3.jpg?v=1737644423)
![Soft Eyes | Henry Wessel, Austin Leong, Adrian Martinez | Deadbeat Club 2024 [SIGNED] Masahito Akage What else may have happened](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN9641_2fe9196a-43c4-4bdf-b937-2a65a759d027.jpg?v=1737644413)
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What else may have happened is that in-between the few pictures of homeless people that are included is the grounding of their lives with the still lives and landscapes set between them
unlike Bashō
each photo revealing (or adding) another facet of her being
It features contributions from Kiyoshi Suzuki (art historian)
Soft Eyes | Henry Wessel, Austin Leong, Adrian Martinez | Deadbeat Club 2024 [SIGNED] Masahito Akage What else may have happened" 'Soft eyes', the late Henry Wessel once wrote in describing the way he went about looking for photographs, is a physical sensation. You are not looking for something. You are open, receptive. At some point you are in front of something that you cannot ignore. In this smart and tender act of homage, Wessels photographs (many of them previously unpublished) are combined with the work of two younger California photographers, Austin Leong and Adrian
